Write-a-thon fundraiser for the 49 Alaska Writing Center |
In the days leading up to the panel, I was reading MFA vs. NYC: The Two Cultures of AmericanFiction, a new collection of essays edited by Chad Harbach. As a writer, I’ve
hung around the periphery of these two cultures while belonging to neither. As a
reader, Harbach points out, nearly everything I read is influenced by these
cultures, even if it’s independently produced.
Add to the notion of culture and community this phrase
dropped often at the conference: “good literary citizen.” While the idea of
literary citizenship is particularly important in the MFA culture, it’s a
healthy concept for all of us who write. It means we support our fellow writers
and their work, and that we value our writing communities.
When it comes to culture and community, writers have a heap
of options: MFA, NYC, indie writers, hybrid writers, writing centers, writers
groups, social networks of every shape and size. How to know which are best for
you and how much to involve yourself? Here, a few considerations:
·
Cultivate an awareness of yourself as writer and
the cultures and communities available to you. Assess your need for affirmation
and do your best not to let it control your choices. Instead, consider your
needs and goals. If you want to write the best books you can, seek out those
who value the same.
·
We’re social creatures, wired for belonging. But
every culture and community has good points and bad. Consider how yours shift
and shape your thinking. Be especially alert to tendencies to view others as
enemies and the in-crowd as superior.
·
Each of us assumes a role within the cultures and
communities we inhabit. That’s part of belonging. But if your aim is to grow as
a writer, look for new roles to embrace. Seek out communities where you can
both give and grow.
·
Some communities are dynamic; others, more
stagnant. Recognize when you’ve outgrown the latter and move on.
·
If you’re not finding the community you need,
start one. That’s why I co-founded the 49 Alaska Writing Center, and it’s how
my smaller writers group began.
·
In person and online, writers are good company.
It’s easy to get all wrapped up in being part of the group. If you hang out
with writers, you must be one, right? Beware this trap. You’re a writer because
you care deeply about language and form and connecting with readers, because you
embrace the joy of a good poem or story or book and long to create one yourself.
No matter how much you love your writer friends and how much you help one
another, the hard work almost always happens alone.